1. Introduction
1.1. Market Overview
1.2. Key Highlights of the Report
1.3. Market Coverage
1.4. Market Segments Covered
1.5. Research Tenure Considered
2. Research Methodology
2.1. Objective of the Study
2.2. Baseline Methodology
2.3. Key Industry Partners
2.4. Major Association and Secondary Sources
2.5. Forecasting Methodology
2.6. Data Triangulation & Validation
2.7. Assumptions and Limitations
3. Executive Summary
3.1. Market Overview
3.2. Market Forecast
3.3. Key Regions
3.4. Key Segments
4. Voice of Customer
4.1. Factors Influencing Availing Decision
4.2. Brand Awareness
5. South Korea Webtoons Market Outlook
5.1. Market Size & Forecast
5.1.1. By Value
5.2. Market Share & Forecast
5.2.1. By Genre Market Share Analysis (Romance, Comedy, Action, Sci-Fi, Action, Horror, Others)
5.2.2. By Revenue Model Market Share Analysis (Subscription Based v/s Advertisement Based)
5.2.3. By Regional Market Share Analysis
5.2.3.1. Central South Korea Market Share Analysis
5.2.3.2. Northern South Korea Market Share Analysis
5.2.3.3. Southern South Korea Market Share Analysis
5.3. South Korea Webtoons Market Mapping & Opportunity Assessment
5.3.1. By Genre Market Mapping & Opportunity Assessment
5.3.2. By Revenue Model Market Mapping & Opportunity Assessment
5.3.3. By Region Market Mapping & Opportunity Assessment
6. Central South Korea Webtoons Market Outlook
6.1. Market Size & Forecast
6.1.1. By Value
6.2. Market Share & Forecast
6.2.1. By Genre Market Share Analysis
6.2.2. By Revenue Model Market Share Analysis
7. Northern South Korea Webtoons Market Outlook
7.1. Market Size & Forecast
7.1.1. By Value
7.2. Market Share & Forecast
7.2.1. By Genre Market Share Analysis
7.2.2. By Revenue Model Market Share Analysis
8. Southern South Korea Webtoons Market Outlook
8.1. Market Size & Forecast
8.1.1. By Value
8.2. Market Share & Forecast
8.2.1. By Genre Market Share Analysis
8.2.2. By Revenue Model Market Share Analysis
9. Market Dynamics
9.1. Drivers
9.2. Challenges
10. Market Trends & Developments
11. SWOT Analysis
11.1. Strength
11.2. Weakness
11.3. Opportunity
11.4. Threat
12. Competitive Landscape
12.1. Company Profiles
12.1.1. Naver Corporation
12.1.1.1. Company Details
12.1.1.2. Products & Services
12.1.1.3. Financials (As Per Availability)
12.1.1.4. Key Market Focus & Geographical Presence
12.1.1.5. Recent Developments
12.1.1.6. Key Management Personnel
12.1.2. Kakao Corporation
12.1.2.1. Company Details
12.1.2.2. Products & Services
12.1.2.3. Financials (As Per Availability)
12.1.2.4. Key Market Focus & Geographical Presence
12.1.2.5. Recent Developments
12.1.2.6. Key Management Personnel
12.1.3. Lezhin Entertainment
12.1.3.1. Company Details
12.1.3.2. Products & Services
12.1.3.3. Financials (As Per Availability)
12.1.3.4. Key Market Focus & Geographical Presence
12.1.3.5. Recent Developments
12.1.3.6. Key Management Personnel
12.1.4. Tappytoon Comics & webtoons
12.1.4.1. Company Details
12.1.4.2. Products & Services
12.1.4.3. Financials (As Per Availability)
12.1.4.4. Key Market Focus & Geographical Presence
12.1.4.5. Recent Developments
12.1.4.6. Key Management Personnel
12.1.5. ToryComics Co., Ltd.
12.1.5.1. Company Details
12.1.5.2. Products & Services
12.1.5.3. Financials (As Per Availability)
12.1.5.4. Key Market Focus & Geographical Presence
12.1.5.5. Recent Developments
12.1.5.6. Key Management Personnel
12.1.6. Toomics Global Co., Ltd.
12.1.6.1. Company Details
12.1.6.2. Products & Services
12.1.6.3. Financials (As Per Availability)
12.1.6.4. Key Market Focus & Geographical Presence
12.1.6.5. Recent Developments
12.1.6.6. Key Management Personnel
13. Strategic Recommendations
13.1. Key Focus Areas
13.2. Target Product Type
13.3. Target Sales Channel
14. About Us & Disclaimer
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